Tag:moral rights

Machines with moral compasses – The ethics of ‘driverless’ cars
The Charging Bull and the Fearless Girl: Moral Rights Protections in Australia and the U.S.

Machines with moral compasses – The ethics of ‘driverless’ cars

Artificial intelligence (AI) is increasingly permeating our everyday lives from our voice command ‘smart speakers’ (such as Amazon Echo, Siri and Google Home) to the machine learning based recommendations when online shopping or watching Netflix.  As AI becomes increasingly autonomous and accessible, leaders in technology are calling for increased scrutiny and regulatory oversight to ensure society is protected from AI’s implications. Regulatory oversight of AI will need to integrate ethical, moral and legal values in its design process as well as part of the algorithms these systems use. Tech giants are becoming increasingly aware of the need to incorporate ethical principles in the development of AI.  Recently, Amazon, Facebook, McKinsey, Google’s DeepMind division, IBM, and Microsoft have founded a new organisation, the Partnership on Artificial Intelligence to Benefit People and Society, to establish best practices in ethical AI.

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The Charging Bull and the Fearless Girl: Moral Rights Protections in Australia and the U.S.

The Charging Bull has been an iconic New York City landmark since it was placed outside the New York Stock Exchange in December 1989 in an act of guerrilla art.  Despite initially being removed, the statue’s popularity caused it to be relocated to Bowling Green days later, where it has since remained, on loan to the New York City Council.  Earlier this year, on the eve of International Women’s Day, Charging Bull was joined at Bowling Green by a second guerrilla-art installation, sculptor Kristen Visbal’s four foot statue titled Fearless Girl, who stares defiantly at the Charging Bull.

The artist behind the Charging Bull, Artutro Di Modica, claims that the placement of Fearless Girl is an insult to the Charging Bull and that her placement is ‘attacking the bull’.  The competing interests of the artists raise interesting questions in intellectual property law, specifically regarding Di Modica’s ‘moral rights’.  Does the Fearless Girl have reason to fear impending intellectual property litigation? Or will the Charging Bull have to accept the new kid on the block?

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By: Sophie Taylor

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